When I started my career, I considered myself super lucky to get hired at a world-class museum and later, our city’s amazing science centre – so perhaps it’s no surprise that I have a fascination with dioramas.
I also have a deep love and appreciation for Joseph Cornell’s assemblage work. I love how his shadow boxes make me feel like I’m in the best possible fever dream.
And naturally, all roads lead to creating a mermaid diorama in an Altoids tin. (I’m sure you can follow the plot here.)

Mermaid diorama inside an Altoids tin with seashells and moss
I had been staring at the tin for some time, wanting to tell a story inside it. My mother’s seashell collection inspired the palette. Then, I found this lady in her bathing suit in my Extraordinary Things to Cut Out and Collage book, crying out for a shimmering tail. A fellow workshop student had once gifted me real fishing net, and suddenly everything clicked together in the heat of this summer.
I’ve shared the pics of the process below. My materials range from moss and seashells to acrylic paints and gel plate fodder, cut-outs and vintage text – held together with adhesive foam tabs and a trusty glue gun. It was trickier than I expected, but patience (and a willingness to embrace happy accidents) goes a long way in tiny spaces.
If you’re making your own mini‑diorama, I recommend choosing a focal figure and building layers around it. I also found it helpful to create a paper template to guide the size and shape of items before cutting and committing to the final.
Next, I’m going to fill a sardine can. What theme would you choose for your own mini-world?




































